also wrote in his own solutions to reading some passages made nearly illegible by his father's late-life handwriting problems. Amazon: 2 : Part 1, Missa. Et in spiritum sanctum (Aria: Bass with Oboi d'amore obbligati) (x3) Upon its completion, Bach visited Augustus III in Dresden and presented him with a copy of the Kyrie–Gloria Mass BWV 232 I (early version), together with a petition to be given a court title, dated July 27, 1733; in the accompanying inscription on the wrapper of the Mass he complains that he had "innocently suffered one injury or another" in Leipzig. In Bach's day, Masses composed for Lutheran services usually consisted only of a Kyrie and Gloria. Note the nine movements with the symmetrical structure and the crucifixion at the centre. Domine Deus (Duet: Soprano I and Tenor) The 1857 edition was the standard for the next century, but was later recognized to be even less accurate than the 1856 version due to inadvertent incorporation of C.P.E. A third oboe is required for the Sanctus. This monumental work is a synthesis of every stylistic and technical contribution the Cantor of Leipzig made to music. When access was later obtained, the textual problems were so evident that the society published a revised edition the next year. Et in unum Deum (Duet: Soprano and Alto) Et incarnatus est (Chorus) John Butt writes, "The format seems purposely designed so that each of the four sections could be used separately. It is not known what prompted this creative effort. KYRIE Bach also sought to leave a significant sacred choral work, and began to conceive the notion of what would become known as the Mass in B-Minor. Be the first one to, 20. The Hosanna and Benedictus, traditionally concluding the Sanctus, are however not included in this section… "[35] However, there is evidence of an organ recital by Bach at the Sophienkirche on 14 September 1731, and Friedemann Bach was only chosen as Organist for the institution on 23 June 1733. of the tortuous opening B minor ‘Kyrie’. Bach, who inherited the score. Yo Tomita, Review of Leisinger edition (Oct. 26, 2015), Bach Bibliography, Online Book Reviews and Previews, John Butt, "Mass in B Minor", from Oxford Composer Companions: J. S. Bach, ed. It is called that as well in the estate of his last heir in 1805, suggesting to Stauffer that "the epithet reflects an oral tradition within the Bach family". Confiteor (Chorus) 2. Bach and others. Bach's Mass in B minor By Rick Phillips www.soundadvice1.com On the surface, it’s difficult to understand why J. S. Bach composed his great Mass in B minor. Butt points out that "only with a musical aesthetic later than Bach's does the concept of parody (adapting existing vocal music to a new text) appear in an unfavourable light" while it was "almost unavoidable" in Bach's day. The work that became known to the world in the mid-19th century as the great B Minor Mass is one of the most remarkable creations of Johann Sebastian Bach (1685-1750). AGNUS DEI Each Kyrie section of Palestrina begins with sequential voice entrances in a layering effect, almost homophonic. Note the nine (trinitarian, 3 × 3) movements that follow with a largely symmetrical structure, and the Domine Deus in the centre. The chronology of the Mass in B minor has attracted extensive scholarly attention. SANCTUS ET BENEDICTUS- 20. [54] Joshua Rifkin's edition, published by Breitkopf & Härtel in 2006,[55] also seeks to remove the C.P.E. Qui tollis pecata mundi (Chorus) [4][5][6][7] With many dozens of recordings, it is among Bach's most popular vocal works. Malcolm Boyd and John Butt, Oxford University Press, 1999, p. 285, Joshua Rifkin, "The B-Minor Mass and its Performance", liner notes to Rifkin's recording of the work, Nonesuch 79036-2, 1982, John Butt, "Mass in B Minor", in Oxford Composer Companions: J. S. Bach, ed. Listen to Bach: Mass in B minor by Fredrika Brillembourg, Joshard Daus, Raimund Nolte, Carsten Suss, Europe Choir Academy, Stuttgart Chamber Orchestra & Trine Wilsberg Lund on Apple Music. The piece is orchestrated for two flutes, two oboes d'amore (doubling on oboes), two bassoons, one natural horn (in D), three natural trumpets (in D), timpani, violins I and II, violas and basso continuo (cellos, basses, bassoons, organ and harpsichord). ", John Butt, Bach: Mass in B Minor, Cambridge University Press, 1991, pp. Consider upgrading to a modern browser for an improved experience. 6 It is recommended that this article is readwith a … "[20] On the other hand, the parts in the manuscript are numbered from 1 to 4, and Bach's usual closing formula (S.D.G = Soli Deo Gloria) is only found at the end of the Dona Nobis Pacem. Regarding sources, Stauffer, summarizing current research as of 1997, states that "Specific models or fragments can be pinpointed for eleven of the work's twenty-seven movements" and that "two other movements [the "Domine Deus" and "Et resurrexit"] are most probably derived from specific, now lost sources. 22-36, URL=, William H. Scheide, "BWV Anh. Amazon: Duet (Sopranos I and II) Christe eleison! Bach, as was typical practice in the era, made additions to the autograph score for performance by adding a 28-bar introduction, replacing the now-obsolete oboe d'amore with newer instruments (clarinets, oboes, or violins) and making other changes in instrumentation for his own aesthetic reasons. "[22] It soon fell from common usage, but the prepositional phrase "in B Minor" survives, even though it is in some ways misleading: only five of the work's 27 movements are in B minor, while twelve, including the final ones of each of the four major sections, are in D major (the relative major of B minor). Domine Deus (Duet: Soprano I and Tenor) 8. See what's new with book lending at the Internet Archive. CREDO J. S. BACH: Mass in B minor, BWV 232 KYRIE 1. Other articles where Mass in B Minor is discussed: Johann Sebastian Bach: Instrumental works: …“Kyrie” and “Gloria” of the Mass in B Minor, written in 1733, were also dedicated to the elector, but the rest of the Mass was not put together until Bach’s last years. Sanctus"; and the remainder, in a fourth folder he titled "4. The second part is titled Symbolum Nicenum (Latin for Nicene Creed, a.k.a. [24] The first publication of the Kyrie and Gloria, in 1833 by the Swiss collector Hans Georg Nägeli with Simrock, refers to it as "Messe"[9][25] Finally, Nageli and Simrock produced the first publication in 1845, calling it the "High Mass in B Minor" (Hohe Messe in h-moll). The first overall title given to the work was in the 1790 estate of the recently deceased C.P.E. He would again perform a 2-hour Organ recital on 1 December 1736 at the Frauenkirche Dresden to inaugurate the new Gottfried Silbermann organ. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. Edition notes: External link points to the source file which may be viewed with Scorch. Recent literature suggests: Bach did not give the B minor Mass a title. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Peters in 1997,[53] uses two copies of the 1748–50 manuscript made before C.P.E. "[21] Butt[22] and George Stauffer[23] detail the ways in which Bach gave overall musical unity to the work. 17. The first example is the Kyrie. 19. Sanctus, sanctus, sanctus, 21. 8. Last Performed by BCCS on March 22, 2015. Run time is four minutes, 41 seconds, For selected recordings on period instruments and modern instruments, see, IV. SANCTUS ET BENEDICTUS- 22. Credo). Bach used the opportunity to work on the composition of a Missa, a portion of the liturgy sung in Latin and common to both the Lutheran and Roman Catholic rites. Bach's alterations in the autograph. The Bach Choir of Bethlehem performed the American premiere of the complete Mass on March 27, 1900, in Bethlehem, Pennsylvania, though there is evidence that parts of the Mass had been performed in the United States as early as 1870. Et resurrexit (Chorus) Images used under Creative Commons Creative Commons Attribution-Share Alike 3.0 Unported License. [8] The petition did not meet with immediate success, but Bach eventually got his title: he was made court composer to Augustus III in 1736. Kyrie eleison (Chorus) the proposed date fell during an official period of mourning "when concerted music was forbidden in Saxon churches"; the extant parts (on which Schering based his hypothesis) are written on a paper found only in documents in Dresden, so were probably copied in Dresden when Bach went there in July; the copyists were not Bach's usual ones, but Bach and immediate family members who traveled with him to Dresden: his wife, Timothy A. Smith (Northern Arizona University), ", This page was last edited on 7 December 2020, at 07:56. Osanna in excelsis (Chorus) Gloria in excelsis—Et in terra pax Laudamus te (Soprano II) Gratias agimus tibi Domine Deus (Soprano I, Tenor) Qui tollis peccata mundi Qui sedes ad dexteram Patris (Soprano II) Mass in B Minor, BWV 232: Kyrie: Christe eleison (Soprano I and II) Further, Butt writes, "What is most remarkable about the overall shape of the Mass in B Minor is that Bach managed to shape a coherent sequence of movements from diverse material. Bach: Mass in B Minor, BWV 232. Bach gathered the parts of the Mass in B Minor into four discrete manuscripts, to which he assigned a numerical order. [14] Scholars differ on whether he ever performed the 1733 Missa. Michael Maul, "'The Great Catholic Mass': Bach, Count Questenberg and the Musicalische Congregation in Vienna," In Yo Tomita, Robin A. Leaver and Jan Smaczny. SANCTUS ET BENEDICTUS- 21. [39], From early in the century, authors such as Albert Schweitzer, Arnold Schering, and Frederick Smend called for smaller performance forces, and experiments with (relatively) smaller groups began in the late 1920s.[40]. [34] Also skeptical is Peter Williams, who notes that "there is no record of performers being assembled for such an event, and in August 1731 Friedemann reported that the Sophienkirche organ was badly out of tune. 12. 21. Score information: Letter, 16 pages, 172 kB Copyright: Personal 2. [47], Two autograph sources exist: the parts for the Kyrie and Gloria sections that Bach deposited in Dresden in 1733, and the score of the complete work that Bach compiled in 1748–50, which was inherited by C.P.E. J.S. Bach - Mass in B Minor. Bach had composed five such Kyrie–Gloria Masses before he completed his Mass in B minor: the Kyrie–Gloria Masses, BWV 233–236, in the late 1730s, and the Mass for the Dresden court, which would become Part I of his only Missa tota, in 1733. "[45], The Mass was described in the 19th century by the editor Hans Georg Nägeli as "The Announcement of the Greatest Musical Work of All Times and All People" ("Ankündigung des größten musikalischen Kunstwerkes aller Zeiten und Völker"). Performed by Solomija Drozd (contralto), Petro Titiajev (violin), Ivan Ostapovych (organ). Purchase 4. Joshua Rifkin's first recording using the one-voice-per-part vocal scoring he proposes was made in 1982,[43] and won a 1983 Gramophone Award. Et in terra, pax hominibus bonae voluntatis. The Symbolum Nicenum (Credo) section of Mass was performed in 1998. Chorus Gloria in excelsis Deo! Pages 55-56 are still missing from Bach Digital's scan. I 14: A source for parodied arias in the B-Minor Mass?" Christoph Wolff argues that on July 26, 1733 at the Sophienkirche in Dresden, where Wilhelm Friedemann Bach had been organist since June, it "was definitely performed ... as evidenced by the extant Dresden performing parts and by the inscription on the title wrapper" given to the king the next day. Chorus Kyrie eleison! The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Bach and the stile antico ; Other contrapuntal movements -- Figurae and the motivic texture -- Patterns and proportions : large-scale structuring and continuity in the Mass in B minor. His aim was to dedicate the work to the new sovereign Augustus III, a convert to Catholicism, with the hope of obtaining the title "Electoral Saxon Court Composer". J.S. pp. DG Archiv: 4839784. 22. Also its key, B minor, is rather exceptional for a composition featuring natural trumpets in D.[3], Even more exceptional, for a Lutheran composer such as Bach, is that the composition is a Missa tota. Uwe Wolf's edition, published by Bärenreiter in 2010, relies upon x-ray spectrograph technology to differentiate J.S. Bach: Mass in B minor Helmut Müller-Brühl. The complete mass was never performed as a whole in Bach's lifetime - in the context of Bach… Bach (the autograph has been published in facsimile from the source in the Staatsbibliothek zu Berlin. [57][58] Ulrich Leisinger's edition, published by Carus in 2014, accepts some of C.P.E. C.P.E. Bach. [48] However, for his 1786 public performance of the Symbolum Nicenum, C.P.E. Osanna | Benedictus | Agnus Dei et | Dona nobis pacem". SANCTUS ET BENEDICTUS 92–101. 3. Tempo and metrical information and parodied cantata sources come from Christoph Wolff's 1997 critical urtext edition, and from George Stauffer's Bach: The Mass in B Minor. Bach*, Frans Brüggen ‎– Mass In B Minor Label: Philips Digital Classics ‎– 426 238-2 Format: 2 ... Kyrie 1-1: Coro (a 5), Kyrie Eleison: 8:53: 1-2: Duetto (Sopranos I, II), Christe Eleison: 5:08: 1-3: Coro (a 4), Kyrie … Dona nobis pacem (Chorus), Uploaded by [59][60], The work consists of 27 sections. Mass in B minor JS Bach Score Interpretation Kyrie: The first part of the mass, the Kyrie, is divided into three sections—Kyrie I, Christe, and Kyrie II. Part I consists of the Kyrie/Gloria Missa of 1733; Part II the Symbolum Nicenum or Credo; Part III the Sanctus; and Part IV the Osanna, Benedictus, Agnus Dei, et Dona nobis pacem. Drawing on decades of composition, including what he considered to be the most thematically relevant of his great Instead, Johann Adolph Hasse's Mass in D minor was performed, a work with many similarities to Bach's Mass (the Credo movements in both works feature chant over a walking bass line, for example). In the same year in Berlin, Gaspare Spontini led the Credo section, adding 15 new choral parts and numerous instruments. 787–98, "The 'Great Mass' in B minor" in the booklet to the recording by. 23. (x3) Christ, have mercy upon us. Traditionally the Kyrie was a ninefold invocation, the text of each of the three sections being repeated three times. Bach's autograph score of the Mass in B minor is subdivided in four sections. 12, pp. Christe eleison (Duet: Sopranos I and II) BACH (1685–1750) MASS IN B MINOR BWV232 KATHERINE WATSON soprano HELEN CHARLSTON mezzo-soprano IESTYN DAVIES countertenor GWILYM BOWEN tenor NEAL DAVIES bass THE CHOIR OF TRINITY COLLEGE CAMBRIDGE ORCHESTRA OF THE AGE OF ENLIGHTENMENT leader MARGARET FAULTLESS STEPHEN LAYTON conductor MISSA GLORIA [65] He further notes that "by abstracting movements from what he evidently considered some of his finest vocal works, originally performed for specific occasions and Sundays within the Church's year, he was doubtless attempting to preserve the pieces within the more durable context of the Latin Ordinary. Print and download choral sheet music for Mass in B Minor: I. Kyrie and Gloria: 1. 24. 91–105, Klaus Hafner, "Uber die Herkunft von zwei Satzen der h-Moll-Messe," Bach-Jahrbuch 63 (1977): 55–74, Alfred Dürr, ""Enfernet euch, ihr kalten Herzen": Moglichkeiten und Grenzen der Rekonstruktionen einer Bach-Arie" Musikforschung 39 (1986): pp. Gloria in excelsis Deo (Chorus) 5. The B-minor Mass and its Performance’ (Liner notes), J. S. Bach: Mass in B Minor, Bach Ensemble (Nonesuch Records 79036, ). Johann Sebastian Bach, Messe in h-Moll BWV 232. 7. [2], On 1 February 1733, Augustus II the Strong, King of Poland, Grand Duke of Lithuania and Elector of Saxony, died. As noted above, in 1733 Bach composed the Missa (Kyrie and Gloria) during the five-month period of mourning following the February 1st death of Elector Augustus II and before July 27, when Bach presented the successor. Alberto Basso summarizes the work as follows: The Mass in B minor is the consecration of a whole life: started in 1733 for "diplomatic" reasons, it was finished in the very last years of Bach's life, when he had already gone blind. Staatsbibliothek zu Berlin (D-B): Mus.ms. [44], Scholars have suggested that the Mass in B minor belongs in the same category as The Art of Fugue, as a summation of Bach's deep lifelong involvement with musical tradition—in this case, with choral settings and theology. Bach's handwriting from the additions made by C.P.E. Throughout the B minor Mass Bach juxtaposes the most varied musical styles, as Mozart was to do in his unfinished C minor Mass nearly half a century later. Editor: Gordon J. Callon (submitted 2004-01-24). Bach (1685–1750) Mass in B Minor, BWV 232 Recorded at the First Presbytarian Church of Bethlehem in May 1997 on the Dorian Label Chorus Kyrie eleison! [11] Other explanations are less event-specific, involving Bach's interest in 'encyclopedic' projects (like The Art of Fugue) that display a wide range of styles, and Bach's desire to preserve some of his best vocal music in a format with wider potential future use than the church cantatas they originated in (see "Movements and their sources" below).[9]. 6. "[66] Details of the parodied movements and their sources are given below. Kyrie eleison. The Mass in B minor (German: h-Moll-Messe), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The first public performance in the century—of just the Credo section—took place in Frankfurt in March, 1828, with over 200 performers and many instrumental additions. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. Bach's revisions and uses the 1733 Dresden parts as the primary source for the Kyrie and Gloria. CD 1. The Mass in B minor (German: h-Moll-Messe), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. [32] Hans-Joachim Schulze made this case by pointing to the use of the past tense in the wrapper's inscription: "To his royal majesty was shown with the enclosed Missa ... the humble devotion of the author J. S. Five months of mourning followed, during which all public music-making was suspended. Christe eleison (Duet: Sopranos I and II) 3. As of 2015[update], 237 recordings are listed on bach-cantatas, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Benedictus, Advanced embedding details, examples, and help, Attribution-Noncommercial-Share Alike 3.0, 20.SanctusEtBenedictus-20.SanctusSanctusSanctus.ogg, 21.SanctusEtBenedictus-21.OsannaInExcelsis.ogg, Terms of Service (last updated 12/31/2014). Contributor: CCARH (Stanford University) (submitted 2003-0… "[33] However, Joshua Rifkin rejects the argument, pointing out that the past-tense wording was typical of formal address often not related to performance. Kyrie. Sanctus, sanctus, sanctus (Chorus) The original manuscript shows that Bach divided the Mass in four major sections, similar to the sections in the Roman Catholic Mass Ordinary. Instead, he organized the 1748–49 manuscript into four folders, each with a different title. The masterpiece that waited over a century to be performed. Arnold Schering (in 1936) asserted that it was performed in Leipzig on April 26, 1733, when Augustus III of Poland visited the town, but modern scholars reject his argument for several reasons: Scholars differ, however, on whether the Missa was performed in July in Dresden. 13. 5. Patrem omnipotemtem (Chorus) 2003 Preview SONG TIME Mass in B Minor, BWV 232: Kyrie: I. Kyrie Eleison ... Mass in B Minor, BWV 232: Kyrie: II. Bach was a Lutheran and spent decades composing music for use in Lutheran church services in Germany, so the composition of a mass - the central service of the Roman Catholic Church - would not have been required of him. 9. Bach's adulterations to try to reconstruct Bach's original readings, and seeks to recover performance details by using all available sources, including cantata movements that Bach reworked in the B minor Mass. "Gegen /S..Koniglichen Hoheit und/ ChurFurstlichen Durchlaucht zu/ Sachssen/ besizgte mit inliegener/ Missa ... Seine unterthanigste Devotion der Autor J. S. Bach"; translation John Butt, Joshua Rifkin, Review of facsimile editions of Bach's Mass in B Minor, Notes 44 (1988), pp. Is called `` Die Grosse Catholische Messe '' ( the autograph has been published in facsimile from the source which! With the symmetrical structure and the remainder, in a layering effect, homophonic... 14: a source for the early version of the Letter is given in Hans T. David and Arthur.... Latin Cathedral in Lviv, Ukraine made before C.P.E Te ( Aria Soprano. Corno da caccia obbligato ) 6 the parodied movements and their sources given... Was performed in its entirety during Bach 's autograph score of the parodied movements and sources! With Scorch: III ) 11 ( contralto ), Bärenreiter: 2010 232, Bach! Dresden parts as the primary source for parodied arias in the B-Minor Mass? inaugurate! 1997 ), 787–98 routinely identified by their key alone, their composer ’ s name superfluous! the version. Grosse Catholische Messe '' ( the `` last three years or so '' of his life Bach. The additions made by C.P.E Released on March 22, 2015 ) composed by Johann Sebastian Bach 9:54. Entrances in a layering effect, almost homophonic in Lviv, Ukraine est and Confiteor. [ 64 ] to... Manuscript into four discrete manuscripts, to which he assigned a numerical order remainder in... 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